How else to describe a Lilliputian rendition of a photograph that’s so realistically detailed, one subject called it “creepily accurate”? A personal action figure? Mini-Me, like the character in the Austin Powers movies?
“People use the term ‘3-D selfie’ a lot. It really isn’t that,” said Michael Anderson, the chief executive of Doob USA. “We refer to them as 3-D-printed replicas.”
Doob, which was founded five years ago and whose headquarters are in Düsseldorf, Germany, is betting big that people want to see themselves made small: smiling alone; hugging their spouses in an eerily perfected version of the old wedding-cake topper; astride a Harley-Davidson, tattooed arms naked to the wind. Whether you consider them cute or creepy, they are perhaps the most currently relatable example of the much buzzed-about, yet perplexing, 3-D printing.
To visit the SoHo store and be in the presence of so many real New Yorkers looking exactly like they do on the city’s streets, only shrunken and displayed on tables and shelves, is, initially, surreal. You have stepped into some version of the new Alexander Payne movie, “Downsizing,” or that old Lily Tomlin-Charles Grodin flick “The Incredible Shrinking Woman.”
One 10-inch figurine of a man dressed fashionably in a tan blazer, scarf and black-frame architect’s glasses, his dog lying obediently at his feet, was so lifelike that it captures his expression of self-satisfaction.
“All that detail is integral,” Mr. Anderson said. “If it’s you, but it’s small and blurry, it’s just a trinket. But sometimes, on the larger figures, you can see the time on a person’s watch.”
The more thought given to one’s appearance before the doobing process, the better the results, generally. Patterns and contrasting colors show up well, for instance. And a good pose can capture the inner you.
One family gathered three generations together for a group doob. A musician stood knees bent, blowing his horn. Then there’s the bodybuilder who took his shirt off, showing his waxed six-pack abs.
Heather Stern first got doobed in 2014, when she was eight months pregnant with her daughter, Rosie. She has celebrated Rosie’s birthday every year since by getting doobed together. The naturalistic figures have made her think about “the toys we give to our daughters,” Ms. Stern said, like American Girl dolls.
“For your daughter to have an image of a normal female body is a positive thing,” she said.
But what to do with a doob? They aren’t sturdy enough to play with. Displaying them in your house or office may seem narcissistic. Ms. Stern keeps her doobs on a bookshelf at home with the Legos she builds (she is a mechanical engineer), though “it’s not like a centerpiece of the house,” she said.
She added: “People are shocked by it: ‘Oh my God, that’s amazing, what is it?’”
One fitting use is to advance the self-referential digital culture from which doobs sprung. That’s what Ashley Holt did. A custom cake maker in Brooklyn, Ms. Holt had a doob made of herself posing mouth wide open, midbite. After she received the finished figurine, which takes about two to three weeks, she made a cake in the form of a peach. Then she posed her doob with the cake, took a picture and posted it to Instagram — “to make it look like a tiny little person eating a giant peach,” Ms. Holt said. “I wanted to bring a doob into a cake design, rather than the standard cake topper.”
For a finale, Ms. Holt returned to the Doob store weeks later and got a doob of herself holding her tiny cake-eating doob.
“I was wearing the same outfit,” she said. “They call that a ‘Meta Doob.’”